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Mental
Health
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AMRA
ZULFIKARPASIC
DESIGNER
"ADVICE FOR SURVIVAL"
Work was
a kind of mental exercise for all of us or perhaps a means of mentally
resisting. And it was interesting how during the war, if you ran into
five people and asked them what they were doing, you would find that
each of those five people was working on some kind of project of their
own. This was because no one was able to give you or find you a job.
You had to think up some kind of job for yourself. I worked a lot
during the war, and that pretty much saved my life. Jobs that are
perhaps less important now, when looking at them from a different
point of view. At that time during the war, they seemed to me as if
they were the most important thing in the world, even more important
than my own life.
And so I was going out to make trademarks for people, to design their
projects, because that was terribly important to me. And I never thought
about the possibility of something happening to me because of someone
else's project, like the possibility of my getting killed, for example.
And this was at a time when there wasn't any electricity at all, there
wasn't anything. There was no water, there wasn't anything. This made
work difficult for designers, because every one of my jobs depended
on electricity in order to be realized in the end.
FAIZA
KAPETANOVIC
TEACHER
"MASQUERADE BALL PROVIDES MOMENTARY DISTRACTION"
I was impressed
the most by a masked ball, then we decided that children should dress
as animals or as whatever they admired or were interested in. And
believe me, the dressing up was so skillfully done that not even their
parents or the neighbors could recognize them. They dressed up as
kings and princes, as butterflies. And on the whole, as characters
who signified freedom. Who signified what they wanted in their hearts?
So that while playacting they could forget what was going on outside,
all the horror of shelling and everything we went through.
The characters that the children thought signified freedom and which
they dressed up as were butterflies lions, kings and princes. Because
for them a lion was strength and they thought that with a lion's mask
they could eat up those outside, who didn't let them go out, who scared
their parents, who killed them. Those who dressed up as kings waved
around their scepters so vehemently, probably to wipe out what was
happening outside and to solve by a single stroke the situation and
restore it to what it had been before the horror began
SNJEZANA
HUFNAGEL
MUSIC PROFESSOR
"A FASHION SHOW OF PLASTER AND YEAST"
I experienced horrors in the will to survive. I often walked on a
hill where shells were falling, where I would pick chicory, dandelions,
and where I gathered wood, because there was no firewood, and that
was how I came up with the idea that besides my will to survive, I
had the will to do something pleasant, and to protect myself in that
way. To protect my psychological and emotional stability. On the hill
I found clay, and I mixed the clay with water, added some other ingredients,
and made wonderful jewelry. On one occasion a Mr. Janez, director
of Princip Seljo Society, saw my jewelry and liked it very much, and
that gave him the idea of having the models in a fashion show wear
my jewelry with old dresses that were taken out of storage. For this
reason, the show was called Mothball '94, so that people would know
that the dresses had been in storage for a long time, and still looked
good on good-looking young women. And they were decorated with my
jewelry. The fashion show was very cheerful, although a few shells
fell in the neighborhood. The atmosphere was pleasant. The place was
lit up; there were floodlights and torches.
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